Monday, February 28, 2011

1st word: Place

from MSN Encarta:
area or portion of space; locality; square or street; dwelling; location with particular use; point in something; proper position; opportunity to study; status; responsibility; job; somewhere to sit; position in series; position of digit in number.

My
definition of place: a mental construct modeled as representation of space*.
space: physical dimensional reality that can never be subjectively experienced as such.


1) Sze Tsung Leong




Typologies of cities and infrastructure, on the topic of space and place.
Hes is a Guggenheim fellow.

quote: "...cities are prolonged accumulations of time— from a Roman amphitheatre overlooked by a cliff of recent concrete construction in Amman, to a Medieval cathedral rising above a flat, seemingly endless landscape in Ghent, to a colonial city center undulating over the Andean topography of Quito, to the postwar patchwork of histories of London, to the sinuous lines of highways engraving the attenuated landscape of Houston."

web site:
http://www.szetsungleong.com
review: http://www.szetsungleong.com/Leong_Artforum_2006.pdf
review: http://www.nytimes.com/2008/04/06/arts/design/06geft.html?_r=1



2) Pleven 1907


A photographic portfolio I found by chance in the Central Archive in Sofia. It examines the development of Pleven, Bulgarian town, celebrating 30 years from the end of the Ottoman invasion. The main subject is infrastructure and public projects emphasizing the new European look with many photos of construction or places that would be soon demolished. While the portfolio celebrates the new look, it is a document of a disappeared era.
One place is changed into another.

Contains 52 photographs, artist unknown. I would go back and scan it if I could.



3) George Tice - Urban Landscapes






An array of everyday places taken out of context and sequenced in order to show them as spaces. I am not sure whether this is Tice's intention as his writing is quite limited. He is a 1973 Guggenheim fellow.
Quote: "... I had to suppress my sense of familiarity with the subjects so that I might perceive their own special qualities and isolate them within the frame..."

Tice, George A, Urban Landscapes, Rutgers University Press, New Brunswick, New Jersey 1975



4) Michael Wesely


Relating personally to his images is impossible as their representation of time is so abstract and out of human experience. They must be very anti place, however, he photographs buildings, all of them parallel and cubic, very ideal and conceptual. They are spatial manifestations of mental constructs common for the contemporary human. These spaces are logical and can be successfully defined with words and numbers.
Wesely illustrates the transformation of mental constructs into spaces, however, his images keep a huge distance from subjective experience thus depicting again pure spaces. I see a very strong connection to Gordon Matta-Clark in the ability to see through.

quote: "
As Ms. Hermanson Meister has noted, they also suggest a kind of response to the late Henri Cartier-Bresson's notion of "the decisive moment,'' that one single instant that captures the full essence of a situation, arguing instead for the power of aggregation and the recognition that change is never just about beginning and end states, but also about that magically indefinite gap between them." Jeffrey Kastner NY Times article, see below

web site: http://www.wesely.org/wesely/index.php

review: http://www.nytimes.com/2004/09/26/arts/design/26kastner.html



5) Das Rad (2003)



An animation by Chris Stenner, Arvid Uibel and Heidi Wittlinger, funny but also with a very sophisticated idea of alternative time and space. It relates to Wesely's long exposures. Spaces are seen from a very subjective point of view and yet detached from human experience, resulting in a very different idea of place. This work was completed in 2003 using a mix os pupets slow motion animation, sets and CGI animation. It was nominated for an Academy award.

http://www.imdb.com/title/tt0330801/
http://www.dasrad.com




6) Elastic City
- "conceptual walks and living theater"

The organization is found by Todd Shalom, a poet, who curates artists to interact with participating audience. The result are events in which the audience is the performer responding to the artists' challenges posed within a city environment. The point is redefining peoples experience of place by putting them in situation different from the everyday life. I find this to be meditation on what makes spaces into places. This seems to be similar to what I intend to do although these happenings are a much happier take on the subject compared to my work. I like the idea of curating experience.

Quote:

"Elastic City intends to make its audience active participants in an ongoing poetic exchange with the places we live in and visit. Artists are commissioned by Elastic City to create their own walks. These walks tend to focus less on providing factual information and more on heightening our awareness, exploring our senses and making new group rituals in dialogue with public space in the city. Elastic City is produced and directed by Todd Shalom. He realized the idea for Elastic City while suffering from altitude sickness in Cusco, Peru."

web site: http://www.elastic-city.com
Review: http://www.nytimes.com/2010/09/10/arts/10elastic.html?_r=1



7) Darren Aronofsky - Pi (1998)

The movie is about the conflict between experience and rationalization. This is important as mental constructs/spaces relate to real spaces. Not paying attention to one of the two categories and only focusing to the other may be very degrading to the human mind. I saw the movie 6 or 7 years ago and I vaguely remember the struggle of the main character lasting for the entire duration and the very clearly the ending, where he did not reach his goal but had an epiphany. I will definitely see it again when I get the chance to.

review: http://movies.nytimes.com/movie/review?res=9F03E2D9173AF930A35757C0A96E958260
IMDB: http://www.imdb.com/title/tt0138704/



8) Aki Kaurismaki - The Man Without a Past (2003)

The movie is about a man who looses his entire memory after an accident. He does not know who he is or where he is from. What is interesting is his struggle not to rediscover himself and get back to his previous life but to build his identity anew. He does that by altering the spaces around (makes a "home " out of a freight container) and fully engaging in the community he has ended up in thus creating a place, more over his own place.
Notions of places can be personal or imposed by others and it was fascinating for me how the main character in the movie invented his own place.

review: http://movies.nytimes.com/movie/review?res=9503E5DD1338F931A35753C1A9649C8B63

IMDB: http://www.imdb.com/title/tt0311519/

Monday, February 7, 2011

Mediated Relationships 2


This is the book that returned me to the root of my interest in space and made me understand Eliasson on another level. The interviews in Iceland were the key: an environment with different rules informing his practice. The terms nature, landscape, beauty and sublime are replaced with (un)mediated land, (un)mediated relationships, spatial relationships, (non)representational landscape, (non) Euclidian geometry, representation, experience, awareness, interaction and subjectivity.

"Normal" people think that extreme sports are for the sake of adrenalin. But this experience is not for getting stimulants from the organism because the use of synthetic drugs is far easier and more effective. Neither they are for showing off, driving an enormous and fast car involves the least effort with the most output and is way "cooler".
Extreme sports are for certain people who need to experience space and time in more complex way.









It is not necessary to jump from cliffs to gain unmediated experience of space. This experience is also gained through constant exploration. Eliasson does his Iceland trips for a few months each year for that reason. Being immersed is more effective than exposed to intense agitation on short occasions.
That is why sublime is a troubling concept for me. Burke and Kant describe it almost as a shot of vodka - experience that happens and ends. In the postmodern world, with land greatly altered by humans, the sublime is different. The new sublime for me is the realization of the vast difference between mediated imagery - for instance the National Geographic photography on one side; and the personal experience of space on the other. The first and very important step is the realization of the gap between illustration and subjective experience.



"Hiker is a person who finds the most difficult way to a place where she/he has no business whatsoever."
In Bulgaria many people dissatisfied with the economy look for a parallel reality. Luckily, for now, they manage to find spaces, defined vaguely as "nature", that act as outlets. But they are not just places to escape, these spaces give a different experience of reality. They make visible the fundamental difference between life as doing and life as being. These two modes of life are vital for each person although the significance for each of them is different for different people. Washington DC metro area, where I moved eventually, is a space that does not offer much unmediated experience. The environment is meant to deprive people from the life as being and force them into life as doing even in their free time. Whenever not making money a person has to spend. Boys of Baraka is a documentary about the Baraka school that took failing Afro American students from Baltimore to Kenya for a school year of middle school classes. Although a social documentary the film deals with conflicting concepts of space.
There is an obvious link between sophistication and extended subjective experience of space.



This is what makes Eliasson's work political. His agenda is to make art about engagement rather than passive contemplation. His work promotes subjectivity, the act of exploration and the freedom to take action. The intellectual agenda is to bring awareness of the gap between images and experiences, the passive and the active, the representation and the unmediated. He encourages his audience to explore the contemporary sublime.

Although my work has not been about the difference between images and experience it is influenced by this issue. I have been trying to illustrate my concern of space through images or to defy/question other images mediating the experience of space. I find this concern with space in other artists work although theirs might not be as directly aimed at unmediated spacial relationships as Elliasons artwork is.


Robert Henke (also as Monolake)

Excerpt from Signal to Noise album here


This is completely synthetic electronic soundscape with no lyrics, no narrative, little composition as there are no crescendos or quiet moments, it does not imply or create a mood intentionally. And also it has no clear rhythm structure as no percussions were used. The music is more an experience than a container for meaning.
His music however is a mediated experience also, one can get into it only if previously sharing the same ideas about spatial relationships and what music can be.



I thought of making visible and untangle boundaries in a space, thus trying to emphasize the gap between the concept of space and the concept of place. I don't know if I'll be able to use fog machines and also he did very similar work in the 1970s and again in the 2000s. I thought that the light will create more opaque projection in the smoke and what is on the photos is not enough for my purpose.




Spatial installations. Not sure whether they are about (un)mediated relationships and the gap between image and experience, however, reflect interest in space as something to be engaged.



Lead Pencil Studio

Void as the substance


What the above images are lacking (maybe I haven't experienced the work personally and talk unprepared) is political context. They are about space but not so much about personal engagement and its responsibility. "You move and your perception of space changes", in other words the notion of space is dependent on the person engaging it. Nevertheless great work to see.






to be continued

Tuesday, February 1, 2011

Mediated relationships

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